It is an interesting fact that usually most favored subculture is cooked up by somebody who seeks profit only, and after that is fed with a hungry young crowd of fans. This isn’t always true in Japan, though. The skill is made for the art’s sake is what comic market followers are probing for.

Yoshishiro Yonezawa, a novelist, critic and a passionate supporter of popular manga subculture, invented a solid idea of founding an enterprise, a market which is open for all the non-professional manga artists who form their own circles called doujinshis to generate manga mimic artwork and magazines (which might be called doujinshis, too). The idea became popular as Comiket, the biggest comic market on the globe, takes place in Japan twice yearly for 3 days consecutively each time in the winter months and in summer. There are far more than 35 thousand circles engaging as well as sudden expenses millions of attendees.

It’s a space where freedom of expression is preached on a large, and organizers never wanted so large profitable of the creation. Before Comiket, young people who studied in senior high school or university, took part in comic markets as amateurs, and ceased to participate after graduation. However in mid-seventies this changed drastically. It came to be not simply a hobby, however a lifetime passion, as numerous artists got appreciation and followers due to a growing rise in popularity of doujinshi phenomenon. There are more than two thousand doujinshi markets happening in Japan each and every year, and Comiket is certainly typically the most popular one.

Now the idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as Usa. The amount of doujinshi circles mushroomed as markets provided great opportunities for a many amateur artists and mangakas (manga artists).

In the beginning the predominant part of doujinshis creators were women, about eighty percent. Within the 1980s more males became interested, and after this the ratio seems to favor female artists only slightly.
We conclude that doujinshi is really a visual cultural phenomenon which is shaped mostly by youth, yet its meaning and consequences are of global importance.

To learn more about Dojin browse this webpage.